Primacy of the Eye: The Art of Stanley Greaves
"In this critical investigation of one of the Caribbean's most distinguished artists, the work of Stanley Greaves is explored to explain his use of Guyanese physical reality and the various visual resources, including traditional African and Amerindian art and contemporary European surrealism, from which his work draws. Retrospective discussions of the different media in which Greaves worked cover sculpture, ceramic, figure paintings, and folk art. Also analyzed is his response to the years of political dictatorship and social collapse in Guyana in the 1980s, a political reality that emerges in his work."
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Foreword by Anne Walmsley
Extending into Three Dimensions I
the Mazaruni paintings
5 other sections not shown
abstract acrylics Affinity drawings African Amerindian Ancestral Figures Artist's Collection Askari Aubrey Williams Banana Manna Barbados Birds of Black blue British Burrowes Caribbean Folklore Caribbean Metaphysic CARIFESTA carving centre ceramics Channaman Collection Dr colour composition cultural Diamonds series Dolorous Guard elections ENDNOTES TO CHAPTER Eusi Kwayana Exhibition of Guyanese explorations figure paintings Gallery Georgetown Greaves's guitar Guyanese Guyanese Art Hearts and Diamonds Herbert Read horizon Howard University Jaguar journal entry leaf lines London Magus with Reversed Martin Carter Mazaruni Meeting series mini-paintings mixed media movement Museum mythology National Collection obeah objects Orchid Pot Orisha painter Peepal Tree Press pen and ink pieces plane politician Pop Art potters returned to Guyana Reversed Bananas Roopnaraine Rupert Roopnaraine School sculpture Selected Poems shape space Stanley Greaves surrealist technique terra cotta theme things traditional Tree trilogy vanitas Walter Rodney Wifredo Lam writes