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1839 and onwards Ahasuerus Anarchs apprehend Athens Attica banner of Mahmud Beneath blazoned blood Bosphorus bright burst Chorus Chorus line Christian clouds comma Corinth Crete Daood dead death despair drama dream dust earth editions of 1839 empire end of line Eussia exclama faint faith fear fiery fled fleet foam folding star full-stop Gisborne glory gold Grecian Greece Greek Hassan hear heart Heaven Hellas hope hour immortal interpreter of dreams Islam isles kill leave light live lyrical Messenger misprint mistakes moon mountains Nauplia night o'er oblivion ocean omitted oppressors pale Phantom Pisa poem rebel Rossetti ruin Saturn and Love Second Messenger Semichorus shadows Shel Shelley substitutes Shelley's edition Shelley's note shout shrieks slaves sleep spirit splendour storm Sublime tears tempest Thebes thee thine Thou art thought thousand thunder thunder-bearing banner tion tremble tyrant Victory Voice wake WALLACHIA weak weep wind word wreck
Page 9 - The human form and the human mind attained to a perfection in Greece which has impressed its image on those faultless productions, whose very fragments are the despair of modern art, and has propagated impulses which cannot cease, through a thousand channels of manifest or imperceptible operation, to ennoble and delight mankind until the extinction of the race.
Page 22 - A power from the unknown God; A Promethean conqueror came ; Like a triumphal path he trod The thorns of death and shame. A mortal shape to him Was like the vapour dim Which the orient planet animates with light; Hell, Sin, and Slavery came, Like bloodhounds mild and tame, Nor preyed until their lord had taken flight.
Page 59 - Oh, cease ! must hate and death return ? Cease! must men kill and die? Cease! drain not to its dregs the urn Of bitter prophecy. The world is weary of the past, Oh, might it die or rest at last ! NOTES 'The quenchless ashes of Milan
Page 58 - Where fairer Tempes bloom, there sleep Young Cyclads on a sunnier deep. A loftier Argo cleaves the main, Fraught with a later prize; Another Orpheus sings again, And loves, and weeps, and dies. A new Ulysses leaves once more Calypso for his native shore.
Page 58 - The world's great age begins anew, The golden years return, The earth doth like a snake renew Her winter weeds outworn : Heaven smiles, and faiths and empires gleam Like wrecks of a dissolving dream.
Page 46 - Atlantic clouds — this Whole Of suns and worlds and men and beasts and flowers. With all the silent or tempestuous workings By which they have been, are, or cease to be, Is but a vision; — all that it inherits Are motes of a sick eye, bubbles and dreams: Thought is its cradle and its grave; nor less The future and the past are idle shadows Of thought's eternal flight — they have no being; Nought is but that which feels itself to be.
Page 21 - Worlds on worlds are rolling ever From creation to decay, Like the bubbles on a river Sparkling, bursting, borne away. But they are still immortal Who, through birth's orient portal And death's dark chasm hurrying to and fro. Clothe their unceasing flight In the brief dust and light Gathered around their chariots as they go...
Page 22 - Swift as the radiant shapes of sleep From one whose dreams are Paradise Fly, when the fond wretch wakes to weep, And day peers forth with her blank eyes; So fleet, so faint, so fair, The Powers of earth and air Fled from the...
Page 60 - The popular notions of Christianity are represented in this chorus as true in their relation to the worship they superseded, and that which in all probability they will supersede, without considering their merits in a relation more universal.