#ReceptioGate. The ReceptioGate Affair 2026: New Evidence on Peter Kidd, the Sotheby's Sale of Stolen Leaves from Turin MS E.V.5, and the Defamation Campaign that Followed

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Bibliothèque de l'Oprom, Jun 18, 2026 - Art - 150 pages

For more than four years, the public narrative surrounding ReceptioGate focused on allegations of plagiarism, self-plagiarism, and academic misconduct. Journalists, bloggers, and institutions repeated accusations directed against Professor Carla Rossi and the research centre RECEPTIO. Yet remarkably little attention was paid to the subject of Rossi's research itself: the dismantling of medieval manuscripts and the circulation of stolen manuscript leaves on the international antiquarian market.

Drawing upon judicial decisions, archival records, auction catalogues, institutional documents, correspondence, and previously unpublished evidence, Jordi Puig reconstructs the chronology of one of the most controversial academic affairs of recent years.

At the centre of the investigation stand two manuscripts: the Book of Hours of Louis de Roucy, digitally reconstructed after centuries of dispersal, and Turin MS E.V.5, a manuscript preserved in the Biblioteca Universitaria di Torino from which three illuminated folios were removed and later sold on the international market. Both appeared in the same Sotheby's sale in London on 7 July 2015, and both would later become linked to the events that shaped ReceptioGate.

The book examines manuscript provenance, cultural-heritage protection, academic  politics,  institutional  decision-making,  and  the  economic interests surrounding the trade in dismembered manuscripts. ReceptioGate entered public debate as an alleged plagiarism scandal. The evidence assembled in this investigation suggests a far more complex reality, one in which provenance research, cultural heritage, and the international circulation of stolen manuscript leaves occupy a central place.

 

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About the author (2026)

Jordi Puig (ORCID: 0009-0004-3720-1911) is a retired art conservator with decades of experience in the preservation of medieval panel paintings, illuminated manuscripts, and rare books. His professional career has combined technical expertise with historical research, focusing in particular on the production, dismemberment, and digital reconstruction of manuscript heritage in Catalonia and the broader Mediterranean region.


As a senior member of the Organisation pour la Protection des Manuscrits Médiévaux (OProM), Puig has contributed to key international initiatives aimed at safeguarding manuscript culture from biblioclasm, illicit trade, and institutional inaction. He played a leading role in the digital reconstruction of the Madruzzo Book of Hours, a 15th-century Flemish manuscript illuminated by Marie Vrelant and dismembered in 2017. His monograph, "The Madruzzo Book of Hours, a Dismembered Manuscript Illuminated by Marie Vrelant" (Cambridge Scholars Publishing, 2025, ISBN: 1-0364-4799-5), reconstructs the manuscript’s history and artistic context while addressing the legal and ethical implications of its commercial dispersion.


Puig continues to work as an independent scholar, advocating for provenance transparency, manuscript integrity, and ethical standards in heritage preservation.


He is also the author of "The ReceptioGate Affair: Truth, Defamation, and the Struggle Against Manuscript Dismemberment" (2025, ISBN: 978-1-326-49076-8), a volume that documents the defamatory campaign waged against Prof. Carla Rossi following her efforts to expose the international trade in dismembered manuscripts. Puig’s contribution analyses the structural complicity between antiquarian markets and certain academic circles, and calls for stronger safeguards in manuscript studies.

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