Acting, in Person and in Style |
Contents
Personalized Body Dynamics | 15 |
Concentration to Enhance Personalization | 26 |
Smell Perception | 32 |
Copyright | |
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Absurd acting style action activity actor actress ALICE ARLECCHINO Artaud artistic audience audition AZDAK believable Bertolt Brecht body breathing Brecht CARLA century chapter character and emotion COACH Comedy comic commedia commedia dell'arte concentration costumes create dance DEBDEN dialogue Directed director drama dream effective Elizabethan Epic Epic Theatre ESTRAGON example Exercise experience expressionistic father feeling gestures Greek GREGERS Grotowski Hamlet hand Harold Pinter HEDVIG human imagination improvisation Jerry L JOANNE JOCASTA JONATHAN KATHY koáx koáx Lady language mask mean Molière MORDEN move movement natural Neoclassic nonrealistic objects OEDIPUS onstage PANTALONE pantomimic pantomimic dramatization PEDROLINO performance person physical play playwright produced realistic rehearsal relaxation Restoration comedy rhythm role analysis Scene Situation scenery script Select Shakespeare sitting sound speaking speech stage Stanislavski Stanislavski system techniques TEDDY tempo theatre theatrical tion tragedy University of Nevada University Press usually vocal voice William Shakespeare WILLY words York