30 pages matching role analysis in this book
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Absurd acting style action activity actor actress alice arlecchino artistic audience audition azdak barney believable Bertolt Brecht bobbi body breathing Brecht carla Caucasian Chalk Circle century chapter character and emotion coach Comedy comic commedia commedia dell'arte concentration costumes create dance debden dialogue Directed director drama dream effective Elizabethan Epic Epic Theatre estragon example Exercise experience expressionistic father feeling gestures Greek gregers Grotowski Hamlet hand Harold Pinter hedvig human imagination improvisation jocasta Jonathan kathy koax koax koax lady language mask mean Moliere morden move movement natural Neoclassic nonrealistic objects Oedipus onstage pantalone pantomimic pantomimic dramatization pedrolino performance person physical play playwright produced realistic rehearsal relaxation Restoration comedy rhythm role analysis scene scenery script Select Shakespeare sitting sound speaking speech stage Stanislavski Stanislavski system techniques teddy tempo theatre theatrical tion tragedy University of Nevada University Press usually vocal voice William Shakespeare willy words York