Tears in the Graeco-Roman WorldThis volume presents a wide range of contributions that analyse the cultural, sociological and communicative significance of tears and crying in Graeco-Roman antiquity. The papers cover the time from the eighth century BCE until late antiquity and take into account a broad variety of literary genres such as epic, tragedy, historiography, elegy, philosophical texts, epigram and the novel. The collection also contains two papers from modern socio-psychology. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
An Introduction | 1 |
Tears and Crying in Archaic Greek Poetry especially Homer | 17 |
Grief Display and Concealment in Ancient Greek Culture | 37 |
Tragic Tears and Gender | 59 |
Dangerous Tears? Platonic Provocations and Aristotelic Answers | 85 |
Dacryology from Herodotus to Polybius | 105 |
Womens Tears in Ancient Roman Ritual | 135 |
Tears in Lucretius | 161 |
Tears as a Means of Communication in the Amphitheatre | 253 |
Tears in Apuleius Metamorphoses | 277 |
Weeping Statues Weeping Gods and Prodigies from Republican to EarlyChristian Rome | 297 |
Observations on Weeping and Pleasure | 311 |
Plutarchs Consolatio ad uxorem in Context | 335 |
Crying and Salvation in Origen and Gregory of Nyssa | 367 |
Sorrow Supplication and Sovereignty in Justinianic Constantinople | 397 |
The Phenomenon of Crying from the Perspective of Social Neuroscience | 419 |
Tears in Propertius Ovid and Greek Epistolographers | 179 |
Tears in Roman Historiographers | 209 |
Stoic and Epicurean Consolations in Senecas 99th Epistle | 235 |
A Biopsychosocial Phenomenon | 439 |
477 | |
Other editions - View all
Common terms and phrases
according Aeschylus already ancient appears associated behaviour body Book cause communication considered context crying cultural dead death describes discussion display effect elegy emotional emperor epigram Euripides evidence example expression eyes fact fear feelings female function further gender give gods Greek Gregory grief hand Homer human important interpretation John lacrimas lamentation laughter literature Livy London lover Lucretius male means mentioned mourning nature observes offers Origen Ovid pain passage perhaps person pity Plato play pleasure Plutarch poem poet poetry positive present reactions reason reference reported response ritual Roman Rome seems Seneca shed shows situation social sorrow soul sources statue suffering suggests tears thought tion tragedy transl veiling Vingerhoets wailing weeping women York