Defining the Field: Proceedings of the First International Conference on Word and Music Studies at Graz, 1997

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Walter Bernhart, Steven Paul Scher, Werner Wolf
Rodopi, 1999 - History - 352 pages
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The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').
 

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Contents

Claus Cluver
187
UllaBritta Lagerrolh
203
KiiMing
221
William E Grim
237
Pli selon
265
Siglind Bruhn
277
Lawrence Kramer
303
Albrecht Riethmuller
321

Recent Approaches to TextMusic Analysis in the Lied
95
Cyrus Hamlin
113
Michael Halliwell
135
Vlrich Weisstein
155
Aubrey S Garlington
337
Notes on the Contributors
347
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Page 15 - ... of knowledge. Interdisciplinary work is not a peaceful operation: it begins effectively when the solidarity of the old disciplines breaks down — a process made more violent, perhaps, by the jolts of fashion — to the benefit of a new object and a new language, neither of which is in the domain of those branches of knowledge that one calmly sought to confront.

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