Defining the Field: Proceedings of the First International Conference on Word and Music Studies at Graz, 1997
Walter Bernhart, Steven Paul Scher, Werner Wolf
Rodopi, 1999 - History - 352 pages
The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').
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William E Grim
Recent Approaches to TextMusic Analysis in the Lied
Aubrey S Garlington
Notes on the Contributors
Other editions - View all
Adorno aesthetic Agawu analogies analysis artistic Chinese composer composition context covert intermediality criticism cultural studies Dangerous Liaisons defmed diegesis diegetic discourse discussion ekphrasis elements essay example folk music Frigyesi genre German Hans Lund hermeneutics Hungarian imitation instrumental music interart interpretation jazz Jorge de Sena Lagerroth language Lawrence Kramer libretto lieder listener literary literature and music lyric Mallarme meaning medium Meistersinger melody melopoetics mimetic mode modernist Mozart music and literature Music and Text music studies musicalization of fiction musicology Musik narrative narrator novel opera orchestra painting performance persona perspective Pli selon pli poem poet poetic poetry present Press program music question reading reference relation representation Sachs Schubert self-reflexive semantic signifiers singing sonata form song cycle sound speaking specific story structure Tales of Hoffmann term textual thematization theoretical theory traditional typology Univ verbal music verbal text vocal Wagner Winterreise Wolf word and music word music
Page 15 - ... of knowledge. Interdisciplinary work is not a peaceful operation: it begins effectively when the solidarity of the old disciplines breaks down — a process made more violent, perhaps, by the jolts of fashion — to the benefit of a new object and a new language, neither of which is in the domain of those branches of knowledge that one calmly sought to confront.