Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer

Roger Chartier

University of Pennsylvania Press, 1995 - Language Arts & Disciplines - 128 pages

In this provocative work, Roger Chartier continues his extraordinarily influential consideration of the forms of production, dissemination, and interpretation of discourse in Early Modern Europe. Chartier here examines the relationship between patronage and the market, and explores how the form in which a text is transmitted not only constrains the production of meaning but defines and constructs its audience.

Contents

• Representations of the Written Word: 6
• Princely Patronage and the Economy of Dedication: 25
• From Court Festivity to City Spectators: 43
• Popular Appropriation The Readers and Their: 83
• Notes: 99
• Selected Bibliography: 115
• Index: 123

About the author

Roger Chartier is Directeur d'Etudes at the Ecole des hautes etudes en sciences sociales, Professor in the College de France, and Annenberg Visiting Professor of History at the University of Pennsylvania. He is the author of numerous books, including Inscription and Erasure: Literature and Written Culture from the Eleventh to the Eighteenth Century, also available from the University of Pennsylvania Press.

Bibliographic information

• Title: Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer; Forms and Meanings: Text, Performance, and Audience from Codex to Computer, Roger Chartier; New cultural studies
• Author: Roger Chartier
• Publisher: University of Pennsylvania Press, 1995
• ISBN: 081221546X, 9780812215465
• Length: 128 pages
• Subjects: Language Arts & Disciplines / Communication Studies; Language Arts & Disciplines / Literacy; Language Arts & Disciplines / Publishers & Publishing Industry; Literary Criticism / Books & Reading; Literary Criticism / General; Literary Criticism / Semiotics & Theory; Social Science / General