Stanislavski's Legacy: Comments on Some Aspects of an Actor's Art and Life |
Contents
PART ONE In art you do not command | 13 |
PART TWO The value of any art is determined | 71 |
PART THREE My system is the result | 113 |
Copyright | |
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achieve actor actress Anton Chekhov Artem artistic audience backstage beautiful began beginning called character Cherry Orchard Constantin Stanislavski convey costume create creation creative critic curtain director Dostoyevski dramatic dressing-room emotions Eugene Onegin everything excitement expression external face feelings gesture girl Gorki grotesque happened human Ibsen imagination impression inner inspiration laugh Lillian Gish Listen literary living look make-up means melodrama memory Mikhailov Molière Moscow Art Theatre nature objective Olga Knipper opera painter performance person phrase physical action Picard pince-nez play playwright production reason rehearsal remember repertory rhythm Rigoletto role scene scene-designer Seagull Sevastopol singer someone soul spectator spiritual St Petersburg stage Stanislavski talent talk technique theatrical things thought Three Sisters tion train turn Uncle Vanya vaudeville Vishnevski voice whole words write Yalta young yourselves