Plain Painters: Making Sense of American Folk Art |
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Contents
The Plain Mode and the Evolution of Talent | 1 |
Art by the Book | 34 |
Plain Painting in NineteenthCentury | 55 |
Copyright | |
5 other sections not shown
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Common terms and phrases
academic aesthetic Albany amateur American art American Folk Art American Painting American Primitive Ammi Phillips Antiques art world artists artworks Benjamin West Blunt Boston career Charles Willson Peale Collection collectors color composition contemporary Copley copy Courtesy culture depicted drawing Dutch early easel painting Edward Hicks England Erastus Salisbury Field example exhibition Freake limner Gallery Gansevoort genre Grandma Moses Guild Hemphill Hicks's paintings History Holger Cahill Ibid images James Thomas Flexner John Vanderlyn Joseph Whiting Stock Kallir landscapes learned look Magazine manuals Massachusetts master Matthew Prior ment Modern Art Museum of Modern naive nineteenth century noted oil on canvas painter Peaceable Kingdom Peale perspective Pieter Vanderlyn plain painting popular portrait painter Press primitive painters prints professional Quaker rendering rural Samuel F. B. Morse scenes sitters social Society studio tradition style suggested talent taste technique tion ture Washington West's William Winterthur wrote York
Bibliographic information
| Title | Plain Painters: Making Sense of American Folk Art New directions in American art Publications of the American Folklore Society: New series |
| Author | John Michael Vlach |
| Publisher | Smithsonian Institution Press, 1988 |
| Original from | Indiana University |
| Digitized | Jul 22, 2009 |
| ISBN | 0874749263, 9780874749267 |
| Length | 206 pages |
| Export Citation | BiBTeX EndNote RefMan |