The Yellow Claw

Front Cover
The Floating Press, Jul 1, 2012 - Fiction - 354 pages
At the turn of the twentieth century, the high-society leisure class of London was gripped by an unsettling epidemic: wanton abuse of opium. In this classic mystery from the author who later developed the Fu Manchu series, an intrepid detective sets out to rid the city of this scourge.
 

Contents

I The Lady of the Civet Furs
5
II Midnight and Mr King
12
III Inspector Dunbar Takes Charge
25
IV A Window is Opened
36
V Doctors Differ
45
VI At Scotland Yard
53
VII The Man in the Limousine
59
VIII Cabman Two
69
XXII M Max Mounts Cagliostros Staircase
202
XXIII Raid in the Rue St Claude
207
XXIV Opium
219
XXV Fates Shuttlecock
227
XXVI Our Lady of the Poppies
233
XXVII Grove of a Million Apes
243
XXVIII The Opium Agent
255
XXIX M Max of London and M Max of Paris
263

IX The Man in Black
77
X The Great Understanding
86
XI Presenting M Gaston Max
95
XII Mr Gianapolis
103
XIII The Draft on Paris
110
XIV East 18642
126
XV Cave of the Golden Dragon
138
XVI HoPins Catacombs
152
XVII KanSuh Concessions
162
XVIII The World Above
172
XIX The Living Dead
180
XX Abraham Levinsky Butts In
189
XXI The Studio in Soho
196
XXX Mahara
270
XXXI Musk and Roses
281
XXXII Blue Blinds
292
XXXIII Logic vs Intuition
299
XXXIV M Max Reports Progress
304
XXXV Tracker Tracked
316
XXXVI In Dunbars Room
329
XXXVII The Whistle
339
XXXVIII The Secret Traps
348
XXXIX The Labyrinth
358
XL Dawn at the Nore
368
XLI WestminsterMidnight
381
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About the author (2012)

Sax Rohmer was born in Birmingham, Warwickshire. At the age of 18, he adopted the name Sarsfield, the name of a famous Irish general admired by Rohmer's mother. He married Rose Elizabeth Knox in 1909 and, at his wife's insistence, began using the name Sax Rohmer for his fiction, eventually employing the pseudonym as his actual name. Rohmer was basically a self-taught scholar. He started writing as a journalist; his beat was the Limehouse underworld in London. Rohmer had a difficult time breaking into the professional fiction markets, but once he did, he became a household name for exotic adventure both in England and in America. Although his writing brought Rohmer success and money, he was never much of a businessman, and most of his wealth was squandered because of his extravagance and through financial mismanagement. Rohmer eventually moved to New York City. One of Rohmer's great intellectual interests was the occult and supernatural, and these elements frequently appeared as motifs in his fiction. His most famous creation was the evil oriental mastermind, Dr. Fu Manchu, first presented in the novel The Mystery of Fu Manchu in 1913 (later retitled The Insidious Dr. Fu Manchu for its American publication, also in 1913). Most espionage or adventure fiction exploits the social paranoias of its time, and Rohmer himself effectively tapped the Westerner's fear of the stereotyped "yellow peril" threat---the negatively perceived belief that Orientals will conquer the world. The Fu Manchu adventures were patterned, in part, after Arthur Conan Doyle's Sherlock Holmes stories. Rohmer's protagonists in these adventures, Sir Denis Nayland Smith and his companion Dr. Petrie, look very much like Doyle's Holmes and Watson, but, whereas Doyle centered his narratives on the heroes and specifically on the elaborate process of detection, Rohmer focused his attention on the villain and on slam-bang action. Fu Manchu was a master of both Western science and Eastern mysticism, and his efforts at world domination caused no end of problems for Smith and Petrie. In Fu Manchu, Rohmer had created the most famous villain in popular fiction (although Rohmer maintained that Fu Manchu was based on an actual Limehouse criminal). Despite Rohmer's use of outrageous racial stereotyping, many of his novels hold up well today and provide superior examples of how to create narrative pacing and suspense.

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