Culture, Crisis and America's War on Terror
Since the infamous events of 9/11, the fear of terrorism and the determination to strike back against it has become a topic of enormous public debate. The 'war on terror' discourse has developed not only through American politics but via other channels including the media, the church, music, novels, films and television, and therefore permeates many aspects of American life. Stuart Croft suggests that the process of this production of knowledge has created a very particular form of common sense which shapes relationships, jokes and even forms of tattoos. Understanding how a social process of crisis can be mapped out and how that process creates assumptions allows policy-making in America's war on terror to be examined from new perspectives. Using IR approaches together with insights from cultural studies, this book develops a dynamic model of crisis which seeks to understand the war on terror as a cultural phenomenon.
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11 September Afghanistan al-Qaeda Antichrist argued August bomb Bush administration Bush’s challenge Christian Colin Powell common sense conﬂict course created crisis process David Frum decisive intervention Defense deﬁned Democrats developed discourse Donald Rumsfeld enemy evangelical evil example February ﬁght ﬁghting ﬁgure ﬁlm ﬁnal ﬁnd ﬁrst ﬁve freedom George George W global Homeland Security Ibid impact inﬂuence institutions international relations Iraq Iraqi Islamic January John March mass destruction meaning meta-narrative Michael military Muslims narrative neo-evolutionary nuclear October ofﬁcial organisation Osama bin Laden particular policy programme political popular culture President Bush presidential reﬂecting reproduced response Saddam Hussein second American 9/11 Senator September 11th September 2001 socially constructed crisis speciﬁc speech story television terror terrorist threat tion understanding United USA Today war in Iraq war on terror Washington Post weapons of mass Weekly Standard Wolfowitz World Trade Center York
Page 6 - Tarry a little ; there is something else. This bond doth give thee here no jot of blood ; The words expressly are ' a pound of flesh : ' Take then thy bond, take thou thy pound of flesh ; But, in the cutting it, if thou dost shed One drop of Christian blood, thy lands and goods Are, by the laws of Venice, confiscate Unto the state of Venice.