Photography & the Art of Seeing |
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Page 122
Freeman Patterson. picture space . Good balance means taking advantage of tension without letting the visual pull of any one object get out of control . Asymmetrical , or informal , balance differs from imbalance . An unbalanced ...
Freeman Patterson. picture space . Good balance means taking advantage of tension without letting the visual pull of any one object get out of control . Asymmetrical , or informal , balance differs from imbalance . An unbalanced ...
Page 124
... balance are the most important for picture unity . When you repeat similar qualities or elements , you establish the dominance of a pattern that unifies the whole composition . When you balance the influence of dissimilar elements , you ...
... balance are the most important for picture unity . When you repeat similar qualities or elements , you establish the dominance of a pattern that unifies the whole composition . When you balance the influence of dissimilar elements , you ...
Page 127
... balance , which is probably what the photograph lacks . There are many ways to achieve balance . General conclusion . Focus on the need for balance , rather than on one particular method for achieving it . FILLING THE PICTURE SPACE ...
... balance , which is probably what the photograph lacks . There are many ways to achieve balance . General conclusion . Focus on the need for balance , rather than on one particular method for achieving it . FILLING THE PICTURE SPACE ...
Contents
Thinking sideways | 27 |
Relaxed attentiveness | 38 |
Imagining | 56 |
Copyright | |
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Common terms and phrases
amputated appear back lighting balance basic bright camera position centre of interest choose components of form composition contrast corner create perspective dark tones deformation depth of field develop dominant effective expression Elements of visual emotional example exercises in thinking exposure expresses the theme expressive qualities eyes feel fern film flowers focus foreground frame Frederick Franck Freeman Patterson horizontal hues ideas imagination important labels lens flare light meter light tones look middle grey mood move movement natural objects oblique lines observe overexpose pattern perceive perception photographer's picture area picture space principles of visual recognize relaxed attentiveness response scene sense of depth shadows shapes shoot shutter side lighting simply situation slides subject matter expresses subject or theme suggests Susan Sontag symbolic techniques telephoto lens tension texture things thinking sideways tree tripod vertical viewers visual design visual elements Visual Perception visual thinking wide-angle lens