Photography & the Art of Seeing |
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Page 39
... Choose something around your home that you want to photograph . First week : For each of the 45 - minute periods , go to the most comfortable chair in your home . ( Avoid your bed ; the idea is to relax , not go to sleep . ) Sit down ...
... Choose something around your home that you want to photograph . First week : For each of the 45 - minute periods , go to the most comfortable chair in your home . ( Avoid your bed ; the idea is to relax , not go to sleep . ) Sit down ...
Page 63
... choose subjects or themes such as " freedom , " " gloom , " and " peace , " and decide which tones or combinations of tones seem to express these ideas . Which tones in the scene make it gloomy or peaceful ? How much of a particular ...
... choose subjects or themes such as " freedom , " " gloom , " and " peace , " and decide which tones or combinations of tones seem to express these ideas . Which tones in the scene make it gloomy or peaceful ? How much of a particular ...
Page 64
... Choose those objects that contain vertical lines or rigid shapes . Then , arrange the objects : arranging to express the theme is also part of selection . If you feel that your arrangement expresses the theme well , photograph it ...
... Choose those objects that contain vertical lines or rigid shapes . Then , arrange the objects : arranging to express the theme is also part of selection . If you feel that your arrangement expresses the theme well , photograph it ...
Contents
Thinking sideways | 27 |
Relaxed attentiveness | 38 |
Imagining | 56 |
Copyright | |
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Common terms and phrases
amputated appear back lighting balance basic bright camera position centre of interest choose components of form composition contrast corner create perspective dark tones deformation depth of field develop dominant effective expression Elements of visual emotional example exercises in thinking exposure expresses the theme expressive qualities eyes feel fern film flowers focus foreground frame Frederick Franck Freeman Patterson horizontal hues ideas imagination important labels lens flare light meter light tones look middle grey mood move movement natural objects oblique lines observe overexpose pattern perceive perception photographer's picture area picture space principles of visual recognize relaxed attentiveness response scene sense of depth shadows shapes shoot shutter side lighting simply situation slides subject matter expresses subject or theme suggests Susan Sontag symbolic techniques telephoto lens tension texture things thinking sideways tree tripod vertical viewers visual design visual elements Visual Perception visual thinking wide-angle lens