Photography & the Art of Seeing |
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Page 67
... light tones , and bright colours . ) Answering these two questions , in this order , is the first step in deciding how to compose a photograph . The purpose of good composition or visual design is to let the subject matter express the ...
... light tones , and bright colours . ) Answering these two questions , in this order , is the first step in deciding how to compose a photograph . The purpose of good composition or visual design is to let the subject matter express the ...
Page 71
... light tones , and bright hues , than merely to photograph curved lines or light tones with no expressive purpose in mind . A person who photographs a bear close up and facing the camera knows the bear can express " threat , " but if the ...
... light tones , and bright hues , than merely to photograph curved lines or light tones with no expressive purpose in mind . A person who photographs a bear close up and facing the camera knows the bear can express " threat , " but if the ...
Page 110
Freeman Patterson. small area of dark or light tone will appear to come forward when surrounded by a strongly contrasting tone . The amount of contrast , the position of tones within the picture space and in relation to other tones , and ...
Freeman Patterson. small area of dark or light tone will appear to come forward when surrounded by a strongly contrasting tone . The amount of contrast , the position of tones within the picture space and in relation to other tones , and ...
Contents
Thinking sideways | 27 |
Relaxed attentiveness | 38 |
Imagining | 56 |
Copyright | |
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Common terms and phrases
amputated appear back lighting balance basic bright camera position centre of interest choose components of form composition contrast corner create perspective dark tones deformation depth of field develop dominant effective expression Elements of visual emotional example exercises in thinking exposure expresses the theme expressive qualities eyes feel fern film flowers focus foreground frame Frederick Franck Freeman Patterson horizontal hues ideas imagination important labels lens flare light meter light tones look middle grey mood move movement natural objects oblique lines observe overexpose pattern perceive perception photographer's picture area picture space principles of visual recognize relaxed attentiveness response scene sense of depth shadows shapes shoot shutter side lighting simply situation slides subject matter expresses subject or theme suggests Susan Sontag symbolic techniques telephoto lens tension texture things thinking sideways tree tripod vertical viewers visual design visual elements Visual Perception visual thinking wide-angle lens