The World, the Text, and the CriticThis extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis. He argues, however, that the various methods and schools have had a crippling effect through their tendency to force works of literature to meet the requirements of a theory or system, ignoring the complex affiliations binding the texts to the world. |
Contents
Secular Criticism | 1 |
The World the Text and the Critic | 31 |
Swifts Tory Anarchy | 54 |
Swift as Intellectual | 72 |
The Presentation of Narrative | 90 |
On Repetition | 111 |
On Originality | 126 |
Roads Taken and Not Taken in Contemporary Criticism | 140 |
Reflections on American Left Literary Criticism | 158 |


