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n PAINTERS AND THE PUBLIC
VDT THE IMPRESSIONIST IDEAL 34 V
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abstract art Adoration angels appearance artist atmosphere Bacchus and Ariadne balance blue Bruegel brush-strokes canvas century Cezanne CHAPTER Christ cloak complementary composition contours contrapposto contrasts of tone Correggio curves dark darker decorative depends distance distortion effect emotion examples expression Eyck figures foreground fresco gesso Giovanni Bellini glaze Greco green grey half-tones horizontal humour ideal impasto implied impressionist inspired Jan van Eyck landscape less lighter linear design lines Madonna and Child Magi masterpiece means medium method movement National Gallery Nature Nicolas Poussin objects oblique opaque painters painting PAOLO VERONESE partly pattern perspective picture picture-area picture-plane Piero della Francesca portrait Poussin Pre-Raphaelite pure colours realistic relation Rembrandt representation represented Rout of San Rubens Rubens's San Romano 583 saturation shadows solid spectator structural tempera texture three-dimensional Tintoretto Titian's transparent Turner Velazquez Venus Veronese Veronese's vertical Virgin vision visual vivid colours