Cinephilia: Movies, Love and Memory
Marijke de Valck, Malte Hagener
Amsterdam University Press, 2005 - Performing Arts - 236 pages
They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
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actors aesthetic American anachronism Anderson argue artist audience auteur Bernardo Bertolucci Bertolucci blockbuster Boogie Nights Bootleg Cahiers du Cinéma camera cinephile cinephilia classical concept contemporary director discussion Dogme Dogme95 Dreamers early editing essay experience fact film critics film culture Film Festival film history film studies film’s filmic filmmaker Fisher Forums genre global Godard Haynes Hollywood homage Hong Kong Cinema Hong Kong Film IFFR industry Kill Bill Kong Film Archive Lars von Trier London love of cinema Manifesto martial arts memory Morgan Fisher narrative original Paris Peter Greenaway played popular practices production realism reconstruction remastering Rosenbaum Rotterdam Routson’s Royal Tenenbaums rules scene screen sense Shaw Brothers shot Sontag space spectator Tarantino television temporal theater theory Thomas Vinterberg tion today’s Todd Haynes Trier University Press viewer visual Willemen Witte Waan York