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Editors Preface page
On my Fiftieth Birthday 1924
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Alban Berg already Anton Webern appear artistic Bach Bach's basic set beauty become Beethoven believe Brahms called certainly chords chromatic scale colour composer composition with twelve comprehensibility construction contrapuntal counterpoint criticism demands Dika Newlin dissonances dynamics everything example expression fact feeling formal Fugue German Gustav Mahler Harmonielehre harmony imitation instruments J. S. Bach judgement kind laws least Linear listener logic Mahler manner matter means measures melody merely method mind motive Mozart musical ideas musician Musik natural never notation notes octaves one's opera orchestra Parsifal performance perhaps personality phrase piano piece Pierrot Lunaire play polyphony possible present problems produce pupils relationship repetition rhythm Robert Schumann Schoenberg seems sense songs sound String Quartet succession Symphony talent technique tempo theme thing tonality tonic triad true twelve tones twelve-tone composition understand variation vibrato Vienna violin voices Wagner whole write