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Books Books 1 - 3 of 3 on ... masters of Renaissance Siena. Matteo had a feeling for movement which would have....
" ... masters of Renaissance Siena. Matteo had a feeling for movement which would have led to real art if he had had the necessary knowledge of form ; lacking this, he became an inferior Crivelli, giving us effects of firm line cut in gilt cordovan or in... "
Guide to Siena: History and Art - Page 188
by William Heywood, Lucy Olcott - 1903 - 384 pages
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The Central Italian Painters of the Renaissance

Bernard Berenson - Art, Renaissance - 1897 - 205 pages
...Crivelli, giving us effects of firm line cut in gilt cordovan or in old brass. As for Neroccio — why, he was Simone come to life again. Simone's singing...our own, with quicker suggestions of freshness and joyThen it was already the end of the fifteenth and the beginning of the sixteenth century, and even...
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Bryan's Dictionary of Painters and Engravers, Volume 4

Michael Bryan - Engravers - 1904
...Berenson, in ' The Central Italian Painters of the Renaissance,' says of him: " He was Simone (Martini) come to life again. Simone's singing line, Simone's...own, with quicker suggestions of freshness and joy." There are many records extant of commissions given to him for statues and monuments still existing...
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Art and Archaeology, Volumes 1-2

Art - 1915
...Tatti, near Florence, of the picture we are illustrating. Says Berenson, "Neroccio was Simone Martini come to life again. Simone's singing line, Simone's...you get, what to most of us counts more, ideals and emotion? more akin to our own, with quicker suggestions of freshness and joy." (Central Italian Painters.)...
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