Acting, in Person and in Style |
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Page 227
... century French stage , Molière . Molière wrote a host of brilliant comedies with infinite dra- matic variety . In tragedy , his chief counterpart ... Century French Neoclassicism 227 Overview of French Neoclassicism (Seventeenth Century)
... century French stage , Molière . Molière wrote a host of brilliant comedies with infinite dra- matic variety . In tragedy , his chief counterpart ... Century French Neoclassicism 227 Overview of French Neoclassicism (Seventeenth Century)
Page 260
Jerry L. Crawford. Transition - Eighteenth - Century Sentimentalism and Nineteenth- Century Romanticism and Melodrama The turn of the century ( specifically , by 1710 ) saw the ushering in of sen- timental treatment for both serious and ...
Jerry L. Crawford. Transition - Eighteenth - Century Sentimentalism and Nineteenth- Century Romanticism and Melodrama The turn of the century ( specifically , by 1710 ) saw the ushering in of sen- timental treatment for both serious and ...
Page 264
... century was largely a century of revolution and turmoil . After a century of emphasis on nature and reason , the nineteenth century , often called the Romantic Age , was an emotional , passionate time . The term romance implies ...
... century was largely a century of revolution and turmoil . After a century of emphasis on nature and reason , the nineteenth century , often called the Romantic Age , was an emotional , passionate time . The term romance implies ...
Contents
Introduction to Part I | 2 |
Exercises for Relaxing | 8 |
Body Dynamics | 15 |
Copyright | |
30 other sections not shown
Common terms and phrases
acting style action activity actor actress ALICE AMANDA ARLECCHINO Arthur Miller artist audience audition BARNEY believable Bertolt Brecht BOBBI body breathing Brecht Brekekekéx koáx koáx CARLA century chapter character and emotion characterization coach comic commedia concentration costumes create dance DEBDEN dialogue DIONYSOS Directed director drama effective Elizabethan Epic Theatre ESTRAGON Euripides example Exercise experience father gestures Glass Menagerie Greek Comedy GREGERS Grey Schmidt Hamlet hand HEDVIG human imagination improvisation JOCASTA KENICKIE Lady masks mean Molière MORDEN movement natural Neoclassic nonrealistic Oedipus onstage Pantomimic Pantomimic Dramatization PEDROLINO performance person Photograph by Randy physical PIPPIN playwright practice produced projection Randy Tunnel realistic rehearsal relaxation Restoration comedy rhythm Richard role analysis scenery script Select Shakespeare singing sitting sound speaking speech stage Stanislavski techniques TEDDY tempo Tennessee Williams Teresa Gilmore theatre theatrical tion tragedy University Press usually vocal voice William William Shakespeare WILLY words York