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The Body and Emotion
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Absurd acting style action activity actor actress alice arlecchino Artaud artistic audience audition azdak barney believable Bertolt Brecht bobbi body breathing Brecht carla century chapter character and emotion coach Comedy comic commedia concentration costumes create dance debden dialogue Directed director drama effective Elizabethan Epic Epic Theatre estragon example Exercise experience Expressionism father gestures Greek gregers Grotowski Hamlet hand hedvig human iambic pentameter imagination improvisation joanne jocasta kathy kenickie koax koax koax lady language look Martha Swope mask Moliere morden movement natural Neoclassic nonrealistic Oedipus onstage pantomimic Pantomimic Dramatization pedrolino performance person Phaedra Photograph physical pippin play playwright practice produced realistic rehearsal relaxation Restoration comedy rhythm Richard role analysis sally scene scenery script Select Shakespeare singing sitting sound speaking speech stage Stanislavski Stanislavski system techniques teddy tempo theatre theatrical tragedy University Press usually vocal voice Waiting for Godot William William Shakespeare words York