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All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Architecture,” you encounter an author who does not give much concern for Frank Lloyd Wright—and he is presented in brief thus if pages where love then its denied to Frank Lloyed Wright and maybe it is given in chapter thirteen.
This chapter is long, tedious and a most seductive rant on The Glass Chain: European Architectural Expressionism 1910-25. Some phrases that linger are--inscribed on the glass dome by Scheerbart--- “Light wants crystal, glass brings a new era and building in brick only does us harm” is literary silver on the page (Frampton 116) and inspirational to the reader. This chapter delineates the reverence for the delta from darkness to light in Modern Architecture.
Chapters are rampant and this text is the equivalent of the student bible in Art, Design and Architecture though birthed in 1980 it still has sway, gives lengthy consideration to globalization and remains a testament to Modern Architecture. A Critical History of Modern Architecture is a stupendous read and survived many clandestine sessions in my black Tony Burch tote, I strongly recommended this text.
 

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