Actor Training, Volume 3Richard P. Brown Institute for Acting Research, with Drama Book Specialists, 1976 - Acting |
Contents
VOICE MOVEMENT AND THE IRIS WARREN METHOD | 1 |
NOTES ON ORGANIC TRAINING | 31 |
THE CREATION OF AN ENSEMBLE PIECE | 47 |
Copyright | |
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Common terms and phrases
actor actor's experience actor's medium adaptive patterns Alan Lomax areas arms ashwood staff balanced alignment Beast becomes begin behavior Beowulf Body Movement Cantometrics Christ Corrigan creative dance Daniel Stern Dé-ar develop Dragon drum ensemble Ethnographic Filmmaking exercise exhalation exploration expression eyes feel floor forest four counts Fritz Perls gently Gestalt Therapy Grotowski hands head hunt inhalation inner awareness Iris Warren method Irmgard Bartenieff Jerzy Grotowski kinesic King knees laughing Let the air longship ment metaphor Michael Kirby mimes motor skills movement and sound myth neck North Lands Odin Old Wiglaf Old Woman organism patterns perceptions performance physical Raven relaxation Repeat response rhythm rhythmic Richard Schechner scene sensations sense awareness sensory shoulders skald slowly Song Style space specific spontaneous stage standing Stanley Burnshaw stretch Style and Culture sword tensions theatre tion torso trees trust Viola Spolin vocal Voice Movement warm-up weapons Wha bith words Yggdrasill Young Wiglaf