T.S. Eliot's The Waste Land

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Harvester Wheatsheaf, 1994 - Literary Criticism - 123 pages
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This work argues that although "The Waste Land" demands close reading, the spirit of the old New Criticism works with inappropriate assumptions about unity and closed form. Many critics have tried to fix the text, to find hidden narratives and plots, spiritual guests and allegories of salvation. Instead, this reading sees the poem as resolutely open-ended, supporting this view with recent developments in Reader-Response criticism and Reception Theory. The study focuses on the way poetry sounds (or does not sound, cannot be sounded). It concentrates on syntax, lineation and intonation. It also brings out the presence of the muted voices of wronged women in a work often called misogynistic.

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Review: TS Elliot's the Waste Land

User Review  - Emily - Goodreads

mysterious masterwork Read full review

Review: TS Elliot's the Waste Land

User Review  - Emily - Goodreads

mysterious masterwork Read full review

Contents

Critical Reception
14
Theoretical Perspectives
21
The Burial of the Dead
33
Copyright

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About the author (1994)

Gareth Reeves is Reader in English at Durham University.

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