Francis Haar: a lifetime of images
"Francis Haar [1908-1997] practiced his art of photography and filmmaking in three distinctly different worlds. He started his first studio in his native Budapest; later he moved to Paris and from there he was invited to Japan. After twenty years working in the Orient -- interrupted by three years of activity in Chicago -- he settled in Honolulu in 1960. He brought with him from these previous experiences priceless riches and memories, reflected in all of his contemporary work.
"He emerged from the same artistic and cultural milieu which nurtured Laszlo Moholy-Nagy and Gyorgy Kepes, with whom he enjoyed a personal and artistic friendship. As with so many Hungarians, he became fluent and expert in the 'Language of Vision' and enthralled with the 'Vision of Motion.' When expressing himself verbally, his Hungarian accent is unmitigated, but when speaking visually, in photography or in cinematography, his message resonates with overtones from Japan and reverberates with the cosmopolitan sophistication of European and American big-city environments. Like other sensitive and receptive newcomers to Hawai'i, he became deeply attracted to the study of Hawaiian culture....
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We shot all over: architecture in Kyoto, pottery in Mashiko, theatrical arts like Noh
and Bunraku, and even the tea ceremony performed by the Grand Master. When
this film, The Arts of Japan, was completed in 1953, George Gercke called in ...
a lifetime of images Francis Haar, Tom Haar. Soshitsu Sen XIV, 1952 I
photographed the Grand Tea Master of the Urasenke School in Kyoto during the
production of the documentary Arts of Japan. Shoji Hamada, Potter, 1953 The
Arts of ...
appendix o Publications 1 940 Way to the Orient, Arts Publishing Company,
Tokyo 1 94 1 Hungarian Picture Book, Benrido Publishing Company, Kyoto 1 942
Around Mount Fuji, Benrido Publishing Company, Kyoto 1 95 1 The Best of Old ...
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