Introducing Bert Williams: Burnt Cork, Broadway, and the Story of America's First Black StarIt is not hard to argue that every black performer in show business owes something to Bert Williams. Discovered in California in 1890 by a minstrel troupe manager, Williams swiftly became a regular player in the troupe. Traveling on from the rough-and-ready "medicine shows" that then dotted the West, he rose through the ranks of big-time vaudeville in New York City, and finally ascended to the previously all-white pinnacle of live-stage success: the fabled Ziegfeld Follies on Broadway. Inspite of his triumphs-he brought the first musical with an all-black cast to Broadway in 1903-he was often viewed by the black community with more critical suspicion than admiration because of his controversial decision to perform in blackface. Modest, private, and conservative in his personal life, Williams left political activism and soapbox thumping to others. More than the simple narration of a remarkable life, Introducing Bert Williams offers a fascinating window into the fraught issues surrounding race and artistic expression in American culture. The story of Williams's long and varied career is a whirlwind of inner turmoil, racial tension, glamour, and striving-nothing less than the birth of American show business. |
Other editions - View all
Introducing Bert Williams: Burnt Cork, Broadway, and the Story of America's ... Camille F. Forbes No preview available - 2008 |
Introducing Bert Williams: Burnt Cork, Broadway, and the Story of America's ... Camille F. Forbes No preview available - 2010 |
Common terms and phrases
actor African Aida American appeared artist audience became become began Bert and George Bert Williams Bert’s blackface Broadway called character Chicago City close Collection colored comedian comedy comic continued coon created critic Dahomey dance described Despite developed expressed face File final Follies further George’s hand hope Ibid included James joke June later leading living London look managers March medicine minstrel show minstrelsy moved musical Negro never offered onstage opening opportunity performance perhaps play position present Press production race racial record references remained reviewer role scene seemed society song spoke stage star stereotype story Street success theater theatrical tion took turned University vaudeville voice Walton Williams and Walker writer York Age Ziegfeld