... feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us — an inexhaustible treasure, but for which, in consequence of the film... Littell's Living Age - Page 1421871Full view - About this book
| Samuel Taylor Coleridge - Aesthetics - 1817 - 316 pages
...but for which in consequence of 2 the film of familiarity and selfish solicitude we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand. With this view I wrote the " Ancient Mariner," and was preparing among other poems, the " Dark Ladie,"... | |
| England - 1834 - 918 pages
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand." How gloriously Wordsworth ha* achieved his gracious object, all the world knows ; in poetry that, beyond... | |
| Samuel Taylor Coleridge - Criticism - 1834 - 360 pages
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand. With this view, I wrote the " Ancient Mariner," and was preparing, among other poems, the " Dark Ladie,"... | |
| Scotland - 1834 - 896 pages
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand." How gloriously Wordsworth hat achieved his gracious object, all the world knows ; in poetry that, beyond... | |
| 1835 - 494 pages
...but for which, in consequence of the feeling of familiarity and selfish solicitude, we have eyes yet see not, ears that hear not, and hearts that neither feel nor understand. " With this view I wrote the ' Ancient Mariner,' and was preparing, among other poems, the ' Dark Ladie,'... | |
| Great Britain - 1835 - 544 pages
...but for \vhich, in consequence of the feeling of familiarity and selfish solicitude, we have eyes yet see not* ears that hear not, and hearts that neither feel nor understand. " With this view I wrote the ' Ancient Mariner,' and was preparing, among other poems, the ' Dark Ladie,'... | |
| James Gillman - 1838 - 398 pages
...for which, " in consequence of the feeling of familiarity and " selfish solicitude, we have eyes yet see not, ears " that hear not, and hearts that neither feel " nor understand. " With this view I wrote the ' Ancient Mari" ner,' and was preparing, among other poems, " the ' Dark... | |
| Samuel Taylor Coleridge - 1840 - 582 pages
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet the effect is produced not so much by the eitemal occasion a underHand. With Ibis view, I wrote the " Ancient Mariner," and was preparing, among other poems, the... | |
| 1843 - 1068 pages
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand."1 In the two poems already mentioned, we have a specimen of the manner in which Coleridge... | |
| Samuel Taylor Coleridge, Henry Nelson Coleridge - Aesthetics - 1847 - 380 pages
...treasure, but for which, in consequence of the film of famiharity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand. With this view I wrote the ANCIENT MARINER, and was preparing among other poems, THE DARK LADIE, and... | |
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