Toward Jazz |
Contents
The Bird Is Gone | 15 |
Why Did Ellington Remake | 24 |
Letter on Evolutionism and the Role | 35 |
Copyright | |
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accompaniment aesthetic already analysis arranger Art Tatum artist audience Bag's Groove Bags ballad band bandleader Basie bass beat Benny Carter Billie Billie Holiday blues Chapter Charlie Parker chord chorus coda composer conception constitutes Count Basie's creative criticism Django Duke Ellington eighth notes expression fact famous Fats Waller feel genius Gil Evans Gillespie hand harmonic Hawkins history of jazz ideas improvisation invention jam session Jazz Hot jazz musician jazzmen Kid Ory Ko-Ko Lester Lester Young listener Louis Armstrong mean measures ment merely Miles Davis Milt Jackson Modern Jazz Quartet Monk's Negro never notion orchestra original perhaps phrase pianist piano piece play popular problem records referring regarded repertory rhythm section rhythmic riff score seems sensibility solo soloist structures style swing syncopated Tatum Teddy Wilson tempo Thelonious Monk thematic theme thing tion true trumpet tunes world of jazz young