Tony Kushner in Conversation

Front Cover
University of Michigan Press, 1998 - Biography & Autobiography - 286 pages
In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured the imagination and the conscience of all who saw it. Its ability to deeply move the audience in personal, communal, and political ways was admirably (and astoundingly) matched by the subsequent production of the play's second part, Perestroika, which brought Kushner yet another Evening Standard award and Tony Award for Best Play (1994). Tony Kushner has, almost overnight, become the premier American male playwright to "represent" the 1990s, as David Mamet and August Wilson dominated critical attention in the 1980s.
The phenomenally positive response to Angels in America was matched by the equally enthusiastic reception of its young, politically engaged playwright, who impressed journalists and scholars with his eloquent intellect, wit, and moral convictions. Kushner spoke for a younger generation of American artists and activists whose art is intimately connected to social vision and "revolutionary" possibilities in the public and private sectors. His role as a generational (read "national," "liberal," "socialist," "Jewish," "queer") spokesman has provided him with a public platform from which to address concerns that lie at the center of national debate. In a short time Kushner has captured and retained a nation's fascination, and his opinions are widely sought out on a wide range of topics. And, most often, the platform from which Kushner expresses his ideas is the personal interview, in which he boldly confronts Americans to rethink, even to reinvent, themselves as the Millennium approaches.
Tony Kushner in Conversation is the first book to compile Kushner's most significant interviews of the past decade, tracing his career from its early years to his maturing artistic and political visions. The collection includes pieces that first appeared in an amazingly broad range of periodicals as well as interviews not previously published, such as his appearance on PBS on The Charlie Rose Show.
In addition to Angels in America, Tony Kushner is author of Slavs and is currently finishing work on Henry Box Brown, scheduled to have its world premiere at the Royal National Theatre in the summer of 1997. Robert Vorlicky is Associate Professor of Drama at Tisch School of the Arts, New York University.
 

Contents

Two not One
1
Look Backand Forwardin Anger
11
Tony Kushner at the Royal National Theatre of Great Britain
18
The Eye of the Storm
30
Tony Tonys and Television
44
AIDS Angels Activism and Sex in the Nineties
51
Thinking about Fabulousness
62
The Oddest Phenomena in Modern History
77
The Road to Optimism
148
On Art Angels and Postmodern Fascism
152
Tony Kushners Angels
157
On Art and Politics
170
The Theater and the Barricades
188
Wrestling with Angels
217
Not on Broadway
231
Why Get Out of Bed?
245

Liza Gets Another Tony
85
The Gay Rights MovementTwentyFive Years
93
I Always Go Back to Brecht
105
The Proust Questionnaire
125
A Conversation with Tony Kushner and Robert Altaian
128
Poetry Plays Politics and Shifting Geographies
255
Afterword
267
Index
277
Copyright

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About the author (1998)

Playwright Tony Kushner was born in New York City and raised in Louisiana. In addition to his plays, Kushner teaches at New York University and has co-written an opera with Bobby McFerrin. Kushner is best known for Angels in America: A Gay Fantasia on National Themes, a two-part seven-hour play that has won many awards (two Tony Awards, a Pulitzer Prize, two Drama Desk Awards, the Evening Standard Award, the New York Critics Circle Award, and the Los Angeles Drama Critics Circle Award). It was also selected one of the ten best plays of the 20th century by London's Royal National Theatre. Robert Vorlicky is Associate Professor of Drama at Tisch School of the Arts, New York University.