Morality and architecture: the development of a theme in architectural history and theory from the Gothic revival to the modern movement
Morality and architecture has been described variously as brave, mischievous, brilliant, reactionary, and a 'time bomb'. It is undoubtedly controversial--a frank and at times fearlessly polemical exposure of progressivist ideology in architectural criticism.
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THE THEME IN THE NINETEENTH CENTURY
THE THEME IN THE TWENTIETH CENTURY
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achievement aesthetic anonymous approach archi architect architectural history argued argument art and architecture art history Art Nouveau artistic Baroque Bauhaus belief building called cathedrals Catholic Christian church claims Classical Classical architecture collective unconscious collectivist consequence construction Corbusier cultural disapproves doctrine E. H. Gombrich eighteenth century England English essence essentially European Architecture example expression fact fashion function Georgian German Giedion Gombrich Gothic architecture Gropius Gropius's Herbert Butterfield historian historicism historicist human idea ideal individual Industrial inevitably interpretation Leslie Martin Lethaby look means medieval modern architecture modern design Modern Movement moral Morris nature nineteenth century Outline of European painting particular period Pevsner Pioneers political Popper produced Pugin reality reason religion Renaissance Renaissance architecture revival Richards role Roman simply social socialist society spirit style taste technological tecture theme theory tion tradition truth ture twentieth century unconscious Victorian Architecture Viollet-le-Duc Walter Gropius writes Zeitgeist