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THE PAINTING OF THE NINETEENTH CENTURY
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actor appeal art-work artist Bayreuth beauty becomes Beethoven Berlioz body canvas Cezanne colour comes criticism dance decoration Degas delight divine drama drawing dreams emotion energy exhibition expression exquisite eyes face feeling figures flesh flower Gallery genius German gesture Giorgione give Greek Groux Gustave Moreau hand harmony Henry de Groux human idea imagination intention Jacob Maris kind landscape light living look MacColl Manet matter meaning melody modern movement musician mystery nature never Ninth Symphony once opera orchestra painter painting passion pattern pictorial picture play poet poetry portrait realised Rembrandt rendered rhythm Richard Strauss Rodin Rossini scene sculpture seems seen sense Shakespeare Simeon Solomon soul speak sprach Zarathustra stage Strauss symbol Symphony technique theatre things thought tion truth ture turn Ubu Roi Venice visible vision voice Wagner walls Watts Whistler whole wholly woman words