The Sitcom Reader: America Viewed and Skewed

Front Cover
Mary M. Dalton, Laura R. Linder
SUNY Press, Oct 6, 2005 - Social Science - 337 pages
Despite the popularity of the sitcom, one of the oldest and most ubiquitous forms of television programming, The Sitcom Reader is the first book to offer critical essays devoted specifically to the form. The contributors address important topics in relation to sitcoms, such as conventions of the form, the family, gender, sexual orientation, ethnicity, work and social class, and ideology, and they do so from a variety of perspectives, including cultural studies, feminist theory, queer theory, and media studies.

From inside the book

Contents

Origins of the Genre In Search of the Radio Sitcom
15
Breaking and Entering Transgressive Comedy on Television
25
American Situation Comedies and the Modern Comedy of Manners
35
Reframing the Family
47
Who Rules the Roost? Sitcom Family Dynamics from the Cleavers to the Osbournes
49
From Ozzie to Ozzy The Reassuring Nonevolution of the Sitcom Family
61
Against the Organization Man The Andy Griffith Show and the SmallTown Family Ideal
73
Gender Represented
85
Ellen Coming Out and Disappearing
165
Sealed with a Kiss Heteronormative Narrative Strategies in NBCs Will Grace
177
PoofsCheesy and Other Identity Politics as Commodity in South Park
191
Work and Social Class
203
Women Love and Work The Doris Day Show as Cultural Dialogue
205
Liberated Women and New Sensitive Men Reconstructing Gender in the 1970s Workplace Comedies
217
Whos in Charge Here? Views of Media Ownership in Situation Comedies
227
Implications of Ideology
239

I Love Lucy Television and Gender in Postwar Domestic Ideology
87
Our Miss Brooks Situating Gender in Teacher Sitcoms
99
Talking Sex Comparison Shopping through Female Conversation in HBOs Sex and the City
111
Race and Ethnicity
123
The Hidden Truths in Black Sitcoms
125
Segregated Sitcoms Institutional Causes of Disparity among Black and White Comedy Images and Audiences
139
Negotiated Boundaries Production Practices and the Making of Representation in Julia
151
Situating Sexual Orientation
163
Sex and the Sitcom Gender and Genre in Millennial Television
241
Cheers Searching for the Ideal Public Sphere in the Ideal Public House
253
Its Just a Bunch of Stuff That Happened The Simpsons and the Possibility of Postmodern Comedy
261
Bibliography
273
Contributors
293
Index
297
Copyright

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About the author (2005)

Mary M. Dalton is Assistant Professor of Communication at Wake Forest University and the author of The Hollywood Curriculum: Teachers in the Movies.

Laura R. Linder is Associate Professor of Media Arts at Marist College and the author of Public Access Television: America s Electronic Soapbox.

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