Sound Streams: A Cultural History of Radio-Internet Convergence

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University of Michigan Press, Jun 1, 2020 - Music - 338 pages
In talking about contemporary media, we often use a language of newness, applying words like “revolution” and “disruption.” Yet, the emergence of new sound media technologies and content—from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting—are not a disruption, but a continuation of the century-long history of radio. Today’s most innovative media makers are reintroducing forms of audio storytelling from radio’s past.

Sound Streams is the first book to historicize radio-internet convergence from the early ’90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio’s logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks.

Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans.


ROI Radio on the Internet
Soundtracking the Information Superhighway The Origins of Internet Radio and Streaming Audio
Radio DotCom Internet Radio Goes Mainstream
Everybody Speaks Audioblogging and the Birth of Podcasting
On the Line and Online Talk Radio Meets the Internet
Hang the DJ? Music Radio and Sound Curation in the Algorithmic Age
Touch at a Distance The Remediation of Radio Drama in Modern Fiction and Nonfiction Audio Storytelling
Make Them Feel Nonnarrated Audio Storytelling and Affective Engagement
Radio The Stealth Medium
Methodological Notes on Interdisciplinarity and Developing a Convergent Methodology
Selected Bibliography

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About the author (2020)

Andrew J. Bottomley is Assistant Professor of Media Studies at SUNY Oneonta.

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