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From Light into Paint
Truth and the Stereotype
ln Pygmalions Power
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Alexander Cozens ambiguity appear artist bibliography called canvas caricature century chapter cited classical antiquity Claude Lorrain clues color Constable's context copy courtesy Cozens critics cubism discovery discussed drawing effect Egyptian Ernst Kris Erwin Panofsky experience expression fact famous figure Gallery of Art historian history of art idea illusion illusionist illustration imagination imitation impressionists interpretation J. J. Gibson John Constable Julius von Schlosser Kunst language learned Leonardo da Vinci light look means mental set method mind motif Museum National Gallery nature never object painter Paris Perception perhaps perspective Philostratus photograph picture Plato portrait poster problem projection psychology Quintilian reading reality Rembrandt rendering represent representation Ruskin schema schemata seen shapes story style theory things tion Topffer tradition trees trick truth Vasari visible world vision visual Visual Perception Wivenhoe Park York and London