Social Roles for the ArtistAnn Thompson, Antony Beck Art, Politics, and Society Group, Department of Political Theory and Institutions, University of Liverpool, 1979 - Literary Criticism - 112 pages Contains papers originally given at the 1978 conference of the Art, Politics and Society Group. |
Contents
The Writer in PostIndependence Africa page | 7 |
Charles Madge Poet and Sociologist | 27 |
The Significant Silences of Thady Quirk | 41 |
Copyright | |
4 other sections not shown
Common terms and phrases
action aesthetic African artist aspect become belief Bond's bourgeois Brecht Castle Rackrent censorship century character Chinua Achebe committed poetry concerned consciousness contemporary context counterpoint countries Crabbe Crabbe's creative critical cultural documentary theatre drama Eaton Eaton's English example experience expression fact fiction FOOTNOTES genre Golden City Harrisson historical Hochhuth human Hyacinth iambic metre iambic pentameter ideological individual intellectual interest involved kind labour language Lear literary literature living London Madge Marcuse Maria Edgeworth Marxist Mass Observation modern moral movement Negritude Ngugi Wa Thiong'O novel obligation op.cit organisation particular person play poems poetic poets political theory popular position present reality Princess Casamassima produced programme protest published question Rachid Boudjedra radical readers realise relationship relevant revolution revolutionary satire sense Shakespeare social role socialist society spoken intonation street literature Thady theme thought tradition truth University University of Liverpool verse Wesker Wole Soyinka writers