Electronic MoviemakingElectronic Moviemaking deals with the crossover of film and video, reflecting a growing industry practice of merging the two media. It emphasizes the use of single-camera video equipment, in conjunction with traditional film techniques, to produce narratives and documentaries. It also stresses the production process and is organized in three parts: pre-production, production and post-production. Three ''process'' chapters (2,9, and 14) summarize what is covered in each part and show how everything applies in a production situation. |
Contents
Introduction | 1 |
Developing the Script | 9 |
Computer Programs for Scriptwriting | 22 |
Copyright | |
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actors ambient sounds amount angle audio audiotape budget cable camcorder camera operator character close-up color temperature connector control track corded create crew David desktop dialogue director disk edit decision list editor electronic elements example f-stop FIGURE fill light film and video film stock filmmakers filter Focal Press focus Foley footage footcandle format frame frequency HDTV Hollywood key light Keykode lens lenses light meter lighting instruments lines master scene ment microphone motion picture move movie moviemaking noise Old Mother Witch person Photo courtesy pickup piece of equipment postproduction preproduction props ratio RCA connector recording Scottie screen screenplay script breakdown setup sheets shooting SMPTE time code sound effects sound track student studio sync tape television tion U-Matic usually video camera video signal videotape voice-over waveform monitor workprint zoom