Indian Musical Traditions: An Aesthetic Study of the Gharanas in Hindustani Music |
Contents
Prologue | 3 |
GharanaIts Characteristics | 10 |
Gharanas and their Ways of Voice Production | 18 |
Copyright | |
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Abdul Karim according achieve aesthetic Agra Alladiya artists attention audience bandish beauty become branch called chapter cheej classical music combination concert considered context continuous course created criticism described dhrupad disciple discussion distinct earlier effect elaboration element emotions entire excellence experience expression fact factor feel four function further Gandharva gayaki gharana give given Gulam guru Gwalior hand Hindustani Music important independent Indian Music Jaipur Khan khayal kind Kirana laya least limited listener literary manner Marathi matter meaning mentioned mind musicians nature necessary notes observed Pandit particular patterns performance period possible present principle produce published question raga respect rhythm shapes singer singing song started style successful swara tempo thing thumari tion tone tradition variety various vocal voice Western writing