Indian Musical Traditions: An Aesthetic Study of the Gharanas in Hindustani Music |
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Page 29
... expression gets stifled in thumari and propitious ground for gharanas does not develop . The same thing happens to ovi - s , women's songs , bhavageet - s , film - music and such other forms as noted earlier . The moral is that gharanas ...
... expression gets stifled in thumari and propitious ground for gharanas does not develop . The same thing happens to ovi - s , women's songs , bhavageet - s , film - music and such other forms as noted earlier . The moral is that gharanas ...
Page 55
... expressing in music his deeply felt experiences of Nature's variegated charm . This faculty of his merits particular ... expression in musical form to everything that attracts my attention . When I am sitting by the bank of a river or on ...
... expressing in music his deeply felt experiences of Nature's variegated charm . This faculty of his merits particular ... expression in musical form to everything that attracts my attention . When I am sitting by the bank of a river or on ...
Page 143
... expression ' madhur bol ' ( sweet articulation ) . Then one fails to understand as to which is the possible alter ... expression in the gayaki then extant . The paragraph reads : " Matanga has described in his Brihaddeshi the nature of ...
... expression ' madhur bol ' ( sweet articulation ) . Then one fails to understand as to which is the possible alter ... expression in the gayaki then extant . The paragraph reads : " Matanga has described in his Brihaddeshi the nature of ...
Contents
Prologue | 3 |
GharanaIts Characteristics | 10 |
Gharanas and their Ways of Voice Production | 18 |
Copyright | |
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Common terms and phrases
Abdul Karim according achieve aesthetic Agra Alladiya artists attention audience bandish beauty become branch called chapter cheej classical music combination concert considered context continuous course created criticism described dhrupad disciple discussion distinct earlier effect elaboration element emotions entire excellence experience expression fact factor feel four function further Gandharva gayaki gharana give given Gulam guru Gwalior hand Hindustani Music important independent Indian Music Jaipur Khan khayal kind Kirana laya least limited listener literary manner Marathi matter meaning mentioned mind musicians nature necessary notes observed Pandit particular patterns performance period possible present principle produce published question raga respect rhythm shapes singer singing song started style successful swara tempo thing thumari tion tone tradition variety various vocal voice Western writing