The Theater and Cinema of Buster KeatonFamous for their stunts, gags, and images, Buster Keaton's silent films have enticed everyone from Hollywood movie fans to the surrealists, such as Dalí and Buñuel. Here Robert Knopf offers an unprecedented look at the wide-ranging appeal of Keaton's genius, considering his vaudeville roots and his ability to integrate this aesthetic into the techniques of classical Hollywood cinema in the 1920s. When young Buster was being hurled about the stage by his comically irate father in the family's vaudeville act, The Three Keatons, he was perfecting his acrobatic skills, timing, visual humor, and trademark "stone face." As Knopf demonstrates, such theatrics would serve Keaton well as a film director and star. By isolating elements of vaudeville within works that have previously been considered "classical," Knopf reevaluates Keaton's films and how they function. |
Contents
Introduction | 3 |
The Lens of Classical Hollywood Cinema | 4 |
The Lens of Vaudeville | 10 |
The Lens of Surrealism | 15 |
The Evolution of Keatons Vaudeville | 19 |
From Stage to Film The Transformation of Keatons Vaudeville | 36 |
Keaton ReViewed Beyond Keatons Classicism | 76 |
Keaton Chaplin and Lloyd | 79 |
Keatons Affinities with Surrealism | 121 |
Beyond Surrealism Keatons Legacy | 134 |
Gerald Pottertons The Railrodder | 135 |
Samuel Becketts Film | 143 |
New Vaudeville Jackie Chan and Coming Attractions | 148 |
Notes | 157 |
Filmography | 179 |
Bibliography | 203 |