God on the Gymnasium Floor, and Other Theatrical Adventures |
From inside the book
Results 1-3 of 69
Page 51
... audience is sought . The other is that in the process of seeking , and to help the process along , the audience must become more active than it has been in the past . Simple enough propositions , and rather readily accepted in theory ...
... audience is sought . The other is that in the process of seeking , and to help the process along , the audience must become more active than it has been in the past . Simple enough propositions , and rather readily accepted in theory ...
Page 65
... audience , for the quickness , the delicacy , the curious subtlety with which it responds to what is happening on stage , and I hope that some of our newer experi- ments with audience response aren't going to corrupt the sensibility ...
... audience , for the quickness , the delicacy , the curious subtlety with which it responds to what is happening on stage , and I hope that some of our newer experi- ments with audience response aren't going to corrupt the sensibility ...
Page 66
... audience began listening again . I'm not talking about the audience's bravery , or anything like that . Given the physical materials on stage - no soft gauzes nearby , no hanging scenery — it was unlikely that anyone was going to be in ...
... audience began listening again . I'm not talking about the audience's bravery , or anything like that . Given the physical materials on stage - no soft gauzes nearby , no hanging scenery — it was unlikely that anyone was going to be in ...
Other editions - View all
Common terms and phrases
actors actually audience Beatrice Lillie Beckett become Bert Lahr body Broadway brother called Carol Channing comedy comes course Dionysus director drama Edward Albee exist existentialist experience eyes face fact feel funny gesture girl going Grotowski Hamlet hand happened head hope husband imagine insisted kill kind Lahr laugh light listening living look manage matter mean mind Miss Molière move musical Neil Simon never night off-Broadway once Open Theater ourselves performance perhaps Pinter play play's players playhouse playwright political producer Richard Schechner role Ron Leibman Sada Thompson scene season seemed seen sense Simon simply sitting sort spectators speech stage Sweet Eros talking Tartuffe Tennessee Williams theater theatrical there's thing thought tion truth trying turned waiting whore wife wish words write