God on the Gymnasium Floor, and Other Theatrical Adventures |
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Page 47
... sit through shows , and , after all , if you are firmly determined to get out of a theater you can get out no matter where you're sitting . The principal advantage is that you can lop one knee over the other and let a leg dangle in the ...
... sit through shows , and , after all , if you are firmly determined to get out of a theater you can get out no matter where you're sitting . The principal advantage is that you can lop one knee over the other and let a leg dangle in the ...
Page 93
... sit down . Standing there , or sitting there , we need accept no lies about shape . But unless we have a reflective , judging , distanc- ing place in which shaping may be attempted , or even experienced , we won't be able to tell a lie ...
... sit down . Standing there , or sitting there , we need accept no lies about shape . But unless we have a reflective , judging , distanc- ing place in which shaping may be attempted , or even experienced , we won't be able to tell a lie ...
Page 243
... sitting and waiting , can't sit and wait . He's got to create the circumstances in which those recommendations become possible . In short , he's got to get produced - not in New York , not yet , but in Tallahassee or Twin Forks . The ...
... sitting and waiting , can't sit and wait . He's got to create the circumstances in which those recommendations become possible . In short , he's got to get produced - not in New York , not yet , but in Tallahassee or Twin Forks . The ...
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actors actually audience Beatrice Lillie Beckett become Bert Lahr body Broadway brother called Carol Channing comedy comes course Dionysus director drama Edward Albee exist existentialist experience eyes face fact feel funny gesture girl going Grotowski Hamlet hand happened head hope husband imagine insisted kill kind Lahr laugh light listening living look manage matter mean mind Miss Molière move musical Neil Simon never night off-Broadway once Open Theater ourselves performance perhaps Pinter play play's players playhouse playwright political producer Richard Schechner role Ron Leibman Sada Thompson scene season seemed seen sense Simon simply sitting sort spectators speech stage Sweet Eros talking Tartuffe Tennessee Williams theater theatrical there's thing thought tion truth trying turned waiting whore wife wish words write