God on the Gymnasium Floor, and Other Theatrical Adventures |
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Page 220
... There's no way around it . Too many col- laborators , dimensional people who have to be fed daily , are in- volved in mounting a show and then keeping it running to allow for any sort of inexpensive duplication ; there is no way to run ...
... There's no way around it . Too many col- laborators , dimensional people who have to be fed daily , are in- volved in mounting a show and then keeping it running to allow for any sort of inexpensive duplication ; there is no way to run ...
Page 226
... there's been talk of money . Broadway money is tight , ' tis said , and so the available scripts have had to stay there , on the shelf , gathering dust . Well , I've been doing a bit of checking about , informally but with an unengaging ...
... there's been talk of money . Broadway money is tight , ' tis said , and so the available scripts have had to stay there , on the shelf , gathering dust . Well , I've been doing a bit of checking about , informally but with an unengaging ...
Page 263
... there hadn't been all it might have been either . This is knowing love in fear instead of knowing it in confidence ... There's not going to be a bigger Bert Lahr than Bert Lahr was . . . . You're not going to get bigger - just older ...
... there hadn't been all it might have been either . This is knowing love in fear instead of knowing it in confidence ... There's not going to be a bigger Bert Lahr than Bert Lahr was . . . . You're not going to get bigger - just older ...
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Common terms and phrases
actors actually audience Beatrice Lillie Beckett become Bert Lahr body Broadway brother called Carol Channing comedy comes course Dionysus director drama Edward Albee exist existentialist experience eyes face fact feel funny gesture girl going Grotowski Hamlet hand happened head hope husband imagine insisted kill kind Lahr laugh light listening living look manage matter mean mind Miss Molière move musical Neil Simon never night off-Broadway once Open Theater ourselves performance perhaps Pinter play play's players playhouse playwright political producer Richard Schechner role Ron Leibman Sada Thompson scene season seemed seen sense Simon simply sitting sort spectators speech stage Sweet Eros talking Tartuffe Tennessee Williams theater theatrical there's thing thought tion truth trying turned waiting whore wife wish words write