Don't Play in the Sun: One Woman's Journey Through the Color Complex

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Knopf Doubleday Publishing Group, Dec 18, 2007 - Biography & Autobiography - 208 pages
“Don’t play in the sun. You’re going to have to get a light-skinned husband for the sake of your children as it is.”

In these words from her mother, novelist and memoirist Marita Golden learned as a girl that she was the wrong color. Her mother had absorbed “colorism” without thinking about it. But, as Golden shows in this provocative book, biases based on skin color persist–and so do their long-lasting repercussions.

Golden recalls deciding against a distinguished black university because she didn’t want to worry about whether she was light enough to be homecoming queen. A male friend bitterly remembers that he was teased about his girlfriend because she was too dark for him. Even now, when she attends a party full of accomplished black men and their wives, Golden wonders why those wives are all nearly white. From Halle Berry to Michael Jackson, from Nigeria to Cuba, from what she sees in the mirror to what she notices about the Grammys, Golden exposes the many facets of "colorism" and their effect on American culture. Part memoir, part cultural history, and part analysis, Don't Play in the Sun also dramatizes one accomplished black woman's inner journey from self-loathing to self-acceptance and pride.
 

Contents

My Own
3
A Family Affair
21
Silences and Secrets
50
Imitation of Life
75
Mirror the Wall
92
Sisters Under the Skin
108
Grand Slam
129
Far from Home
145
Zora and
181
a Young Black Girl I Know
190
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Page 9 - Whites had cteated another ongoing, invasive, and seductive and powerful conversation about beauty and color through movies and television and magazines and books and the collective imagination. And the language of that conversation was not only an echo of the self-hating dialogue among Blacks about skin color but also its progenitor.

About the author (2007)

Marita Golden has written both fiction and nonfiction, including Migrations of the Heart, A Miracle Every Day, and Saving Our Sons. She is the editor of Wild Women Don't Wear No Blues: Black Women Writers on Love, Men, and Sex, and the coeditor of Gumbo: An Anthology of African American Writing. She is the founder and CEO of the Hurston/Wright Foundation, which supports African American writers, and lives in Maryland.

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