Monomania: The Flight from Everyday Life in Literature and Art

Front Cover
Cornell University Press, 2005 - Literary Criticism - 238 pages

"This book is about the obsessive strategies people use to keep the arbitrary out of their lives; it is about the fanaticism and intolerance linked to their ideas of perfection and permanence.... Those readers who have brushed against the dangers of the idée fixe, who have come close to surrendering to something or someone diabolically seductive or coercive, will recognize in these characters their own encounter with a dangerously systematized world."--From the introduction.

Monomania explores the cultural prominence of the idée fixe in Western Europe during the nineteenth and twentieth centuries. Marina van Zuylen revives the term monomania to explore the therapeutic attributes of obsession. She introduces us to artists and collectors, voyeurs and scholars, hypochondriacs and melancholics, whose lives are run by debilitating compulsions that may become powerful weapons against the tyranny of everyday life.

In van Zuylen's view, there is a productive tension between disabling fixations and their curative powers; she argues that the idée fixe has acted as a corrective for the multiple disorders of modernity. The authors she studies--Charles Baudelaire, Sophie Calle, Elias Canetti, George Eliot, Gustave Flaubert, and Thomas Mann among them--embody or set in motion different manifestations of this monomaniacal imperative. Their protagonists or alter egos live more intensely, more meaningfully, because of the compulsive pressures they set up for themselves. Monomania shows that transforming life into art, or at least into the artful, drives out the anxiety of the void and puts in its place something so orderly and meaningful that it can take on the aura of a religion.

 

Contents

Pierre Janet The Phobia of Everyday Life
21
Flaubert The Revenge of Art on Life
41
The Cult of the Unreal Nodier and Romantic Monomania
62
Between Kant and Hegel Baudelaires Dialogue with Obsession
82
Middlemarch Abstraction and Empathy
99
Musings on Hypochondria Thomas Manns Magic Thermometer
120
Elias Canettis AutodaFe The Scholarly Malady
140
The Cure in the Disease Nina Bouraouis Melancholic Imperative
164
Voyeuristic Monomania Sophie Calles Rituals
180
Conclusion
193
Appendix
207
Selected Bibliography
225
Index
229
Copyright

Other editions - View all

Common terms and phrases

Popular passages

Page 13 - It seems, then, that an instinct is an urge inherent in organic life to restore an earlier state of things...

References to this book

David Malouf
Don Randall
No preview available - 2007

About the author (2005)

Marina van Zuylen is Professor of French and Comparative Literature at Bard College. She is the author of Difficulty as an Aesthetic Principle.

Bibliographic information