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actress admire amateur Antigone applause Aristotle artist Athenian audience Bellerose best actors better Bour Bourgogne Bridie's called century character convention Corneille Craig critical culture dance Dear Brutus deny Dionysia doubt Dover Wilson drama dramatists effect Elizabethan theatre emotion Epidaurus equally Fanny Kemble footlights fourth wall French stage Garrick genius gesture gogne gramophone record Greek Hamlet hear Henry Irving history of acting histrionic idea imagine inflection interpretation Irving and Kean Italian John Philip Kemble judged lectures limit lives mask mastery Maurier ment mind Miss Tempest modern Moliere moved movement nature Neoptolemus never night paint passion perfection performance perhaps personality play players poet poetry remember Richard romantic Sarah Bernhardt seemed self-consciousness Shakespeare sledge-bells So-and-so's sometimes Sophocles speaking speare speech style taste technique tell theatre thing thought tion to-day tradition tragedy tragic beauty troupe truth verse voice William Poel words wrote