New European Architecture |
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Page 46
... ground plan . The second area , the large main studio , is the significant space of the structure . The entire expressive power of the project is concentrated in this studio . One of the problems confronting the architects was the low ...
... ground plan . The second area , the large main studio , is the significant space of the structure . The entire expressive power of the project is concentrated in this studio . One of the problems confronting the architects was the low ...
Page 55
... ground plan with an angled wall at one end , which gives it a trapezoidal shape . Several of the interior layouts have been translated to the exterior , and consequently the elevation acquires some extremely effective reliefs . All ...
... ground plan with an angled wall at one end , which gives it a trapezoidal shape . Several of the interior layouts have been translated to the exterior , and consequently the elevation acquires some extremely effective reliefs . All ...
Page 57
... floor of the lobby and the skylight in the roof . The square - circle contrast and the classically inspired structure and configuration of the ground plan create an atmosphere of well - being that is most appropriate to the ...
... floor of the lobby and the skylight in the roof . The square - circle contrast and the classically inspired structure and configuration of the ground plan create an atmosphere of well - being that is most appropriate to the ...
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Common terms and phrases
achieve acoustical Adrien Fainsilber aesthetic Alvar Aalto Antoine Grumbach architect architectural languages atrium AUSSTELLUNG Barcelona block Bofill BRONZEN building ceiling central centre columns complex conceptual connected construction contrast courtyard create cultural curved Detail distribution door Eixample elegant elements Elevation Espoo Eurocetus Eva Jiricna exterior façade foyer Frankfurt front facade functional programme Géode geometric glass glazed ground floor ground plan Grumbach Gustav Peichl hall HELDER GLAS inside interior facade Jardine House Joan Miró La Géode layout levels located main entrance main facade materials metal Michael Hopkins modern Montjuïc museum natural light O.M. Ungers offices original park perspective prefabricated reception area recording studio rectangular Ricardo Bofill rooms Schaumainkai second floor side simple skyscraper space spatial Städel staircase stairs stairway stone surrounding Tapiola top floor Torhaus transparent roof upper floors urban vertical visitor visual volume walls