The History of Photography, from 1839 to the Present Day |
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Page 14
... wrote Niépce he was proprietor with Charles Marie Bouton of the Diorama , a theatre built for the display of great 451 by 71 - foot paintings of the most illusionistic kind . Semi- transparent theatrical gauze was painted on both sides ...
... wrote Niépce he was proprietor with Charles Marie Bouton of the Diorama , a theatre built for the display of great 451 by 71 - foot paintings of the most illusionistic kind . Semi- transparent theatrical gauze was painted on both sides ...
Page 61
... wrote Robinson in 1859 : I am tired of Photography for the public , particularly composite photos , for there can be no gain and there is no honor but cavil and misrepresentation . The next Exhibition must , then , only contain Ivied ...
... wrote Robinson in 1859 : I am tired of Photography for the public , particularly composite photos , for there can be no gain and there is no honor but cavil and misrepresentation . The next Exhibition must , then , only contain Ivied ...
Page 135
... wrote . Photographe d'art , photographer of works of art , he called himself , and he hand lettered a sign " Documents pour artistes " for the door of his fifth - floor apartment- darkroom at 31 rue Campagne Première . A great deal of ...
... wrote . Photographe d'art , photographer of works of art , he called himself , and he hand lettered a sign " Documents pour artistes " for the door of his fifth - floor apartment- darkroom at 31 rue Campagne Première . A great deal of ...
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Common terms and phrases
Adams Alfred Stieglitz amateur artistic Atget BEAUMONT NEWHALL became began BIBL brilliant calotype Camera Club camera lucida camera obscura Charles Coburn collodion collodion process color Daguerre Daguerre's daguerreotype daguerreotypists darkroom detail developed documentary documents editor Edward Steichen Edward Weston Emerson emulsion engraving esthetic exhibition experiments exposure film flash Gallery gelatin George Eastman House glass graphic graphs gum prints HISTORY OF PHOTOGRAPHY Hurter and Driffield Ibid illustrations inches invention John Jour Kodak lens lenses light London magazine medium Modern Art MOMA GEH motion Museum of Modern Muybridge Nadar nature Niépce object painter painting paper Paris perfect Phot Photo-Secession photogram Photographic Society Pictorial plate platinotype Platinum print portraits produced PUBL published rapher raphy rays record reproduced Robinson Salon scene sensitive showed shutter silver sitter Steichen straight photography taken Talbot technique tion tographer ture vision wrote York