Behind the Mask: On Sexual Demons, Sacred Mothers, Transvestites, Gangsters, Drifters and Other Japanese Cultural Heroes |
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BEHIND THE MASK: On Sexual Demons, Sacred Mothers, Transvestites, Gangsters, Drifters And Other Japanese Cultural Heroes
User Review - KirkusLots about the difference between Japanese Buddhist aristocratic culture and Shinto popular culture—with examples from films, plays, novels, prostitution—pegged, indeed chained, to the familiar idea ... Read full review
Contents
Mirror of the Gods | 1 |
The Eternal Mother | 18 |
Holy Matrimony | 38 |
Copyright | |
11 other sections not shown
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actors aesthetic artist audience beautiful become bishonen brothel Buddhist called century ceremony Chushingura cinema comics Confucian courtesan culture death dreams dressed Edo period emotional entertainment example fantasy father feelings female fighting foreign forty-seven ronin gang gangster geisha giri girls goddess goes Hangan Heian heroine human husband ideal Ivan Morris Izanami Japan Japanese heroes Japanese society Kabuki Kabuki theatre Kafu kimono kind koha ladies large number live male married maternal Mishima Mishima Yukio Mizoguchi's modern morality Moronao mother Musashi myth never nihirisuto O-Haru one's oyabun perhaps play pollution popular prostitutes pure purity ritual role romantic rules Sachiko Saikaku salaryman samurai scene sense sexual Shinto social spirit story suicide Susanoo sword symbols Takakura Ken Takarazuka Tanizaki television thing Tokyo Tora-san traditional true Tsuruta typical usually violence Western wife woman women yakuza film yakuza hero Yoshitsune young