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Why Start with Greek Music?
Vocal Pedagogy in Greece Rome and the Middle Ages
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American appeared aria artistic audience baritone Baroque bass became Beethoven began bel canto Bellini Caccini career castrati century chant choir Christianity church classical composer concert court Covent Garden culture debut Donizetti dramatic early England English famous Ferrara Florence France French Garcia German Giovanni Gluck Greek Gregorian chant Handel important influence instrumental Irish Italian opera Italy Jean De Reszke kind later liturgical London lyric madrigals Malibran Maria melody Metropolitan Milan monody Monteverdi Mozart musicians Naples neumes NGDM NOHM notation notes ogam opera seria orchestra original ornamentation Otello papal Paris performance Peri period phrase play Pope popular probably recitative recordings Renaissance repertoire Reszke roles Roman Rome Rossini Rubini sang Scala secular singer-composer singers singing solo songs soprano sound stage studied style suggest sung surviving teacher technique tenor theater tion tradition Troubadours Venice Vienna vocal emission voice Wagner words writing